"From Samarkand to Chang’an to … Now " Organised Sound Vol 13 Forthcoming (August 2008)

"L’Important c’est les Lunettes" Cultural Studies Vol 17 No. 3/4 (2003): 349-366. (May/July 2003)

"Holtzwege on Mont Fuji: a Doctrine of No-Aesthetics for computer and Electro-Acoustic Music." Organised Sound Vol 5 No. 3 (December 2000): 127-133.

"Music as Handwerk, the middle way between Vorhandenheit and Zuhandenheit." ICMC Berlin 2000 proceeding, : 5-7, August 27 -September 1 2000, Berlin, Germany.

"The Beast's Glove: The tactile and the Digital in Computer Music." ICMC Thessaloniki 1997 proceeding, : 149-51, September 25-30 1997, Thessaloniki, Greece.

"Voices in the Desert: The Ontology of the Electroacoustic Community." Organised Sound Vol 2 No1: 5-11, 1997.

"Code-Note-Music: An Epistemological Investigation of Algorithmic Music." Organised Sound Vol 1 No3: 173-77, 1996.

"The Happy Few: Rarity and the Recognition of Style." Proceeding of the fourth International conference for music perception and cognition (ICMPC): 175-76: 395-400, August 11, 1996, McGill University, Montreal Canada.

"Computer music and the Pre(Anti(Post(Non(Modern))))." ICMC Banff 1995 proceeding, : 569-572, September 3-7 1995, Banff, Alberta, Canada.

"Name that Tune: the Turing Test Revisited." Proceeding of the third International conference for music perception and cognition (ICMPC): 175-176. July 23-27, 1994, Université de Liège, Liège, Belgium.

"Computer Music and the Post-Modern: A Case of Schizophrenia." Computer Music Journal , 18:4 26-34.

"Short Circuit: The Computer Music Edison Complex." ICMC San Jose 1992 proceeding, October 14-18 1992, San Jose, California, USA.

"Why Simulate When you Can Get the Real Thing?" ICMC Montreal 1991 proceeding, October 16-20 1991, Montreal, Canada.

"Gödel Tune: Formal Models in Music Recognition Systems." ICMC Glasgow 1990 proceeding, September 10-15 1990, Glasgow, Scotland.

"Automatic Pitch Resolution in Polyphonic Music Recordings." 1989 IEEE ASSP Workshop on applications of signal processing to audio and acoustics, October 15-18, Mohonk Mountain House; New Platz, New York.

"A Connectionist Model for Automatic Polyphonic Music Recognition using a Cultural Code." Ph.D. Dissertation, University of Pennsylvania, Philadelphia, 1989.

"Pitch Determination in a Musical Context." Proc. 13th. annual Northeast Bioengineering Conference, K.R. Foster, ed., Institute of Electrical and Electronics Engineers, Inc. (1987) 252-54.

"Fracture Stress-Reflecting Spots Relations in Hot-Pressed Alumina." With H.P. Kirshner. Journal of Material Science 15(1980) 1319-1321.

"Theory of Elastic-Plastic Impact on Ceramics." With H.P. Kirshner. Proc. 5th Int. Conf. on Erosion by Solid and Liquid Impact. Cambridge, England (Sept. 3-6 1979).

"Localized Impact Damage in Transformation-Toughened Zirconia." With H.P. Kirshner and R.M. Gruver. Material Sciences and Engineering, 40(1979) 49-57.

"A Fractographic Criterion for Subcritical Crack Growth Boundaries at Internal Fracture Origins in Hot Pressed Silicon Nitride." With H.P. Kirshner and R.M. Gruver. Journal of Material Science 14(1979) 2713-2720.

"Fragmentation and Damage Penetration During Abrasive Machining of Ceramics." With H.P. Kirshner and R.V. Gruver. The Science of Ceramic Machining and Surface Finishing II, B.J. Hockey and R.W. Rice, ed., National Bureau of Standards Special Publication 562.

"A Theoretical Inquiry Concerning Artistic Research and an Experimental Study of the Perception of Artistic Media." Master's Thesis, the Pennsylvania State University, State College, 1975.